Often attempting to figure out how our internal chemistry probably interfaces with the world outside – does it ‘grip’ onto the dynamics of the sense datum?
And, where’s the threshold, when this process is initiated or not?
How does a tune ‘click’ in our mind, a painting reveal its intended splendor?
Why is it that, subjectively, a familiar piece could die at any moment, with only an emotional memory in its place?
Living beings assume that whatever they’re perceiving – the thinking that’s occurring, along with an intuitive background – that their experience is an objective measure of the moment, when in reality it’s as personal as incredulity may believe.
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| The serial notebook
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| Misc. (blue)
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(Asterisks (*) represent a separate link, a continuation of the same date, but on a different topic (represented by '----' in the notebook); dates are otherwise irrelevant to themes).
4/12: 1, 2, 3, 4, 5, 6, 10, 12, 22*, 25, 30
5/12: 6*, 9, 23, 28
6/12: 10, 17, 20, 24
7/12: 20, 21, 31
8/12: 8, 25, 30
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9/12: 12*, 30
10/12: 4, 10, 14, 15, 17**, 21, 25, 27
11/12: 6, 7, 8, 12, 14, 17, 20*
1/13: 10*, 24, 26, 27, 28, 30
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5/13: 22
6/13: 24, 26, 27
7/13: 1, 12*, 19, 23*, 25, 26
11/13: 5, 21, 26
12/13: 5, 19, 29
1/14: 7, 13
3/14: 15
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1, 2, 3, 4
Others: 1, 2
Gdańsk notebook: 6, 27, 65, 66, 67, 68, 104, 109, 150
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